Tracking the Prince: Carrick on Suir, Ormonde Castle

Part 4 in a series featuring sites I visited in Ireland while researching my second novel, The Prince of Glencurragh. See Part 1, Part 2 and Part 3.

img_1407It is always thrilling to be in Ireland, although during my research trip there were some disappointments. The greatest of these was finding Carrick on Suir, (now known as Ormonde Castle to distinguish it from the town), closed for renovations for the entire year. My advance research somehow did not disclose this, so upon arrival, all I could do was walk around all sides, take pictures, and use my imagination.

[As of this writing, the castle remains closed to visitors due to renovations, but is scheduled to reopen in June, 2017.]

Situated along the River Suir on the east side of the village in County Tipperary, this castle exudes history. It is remarkable for being Ireland’s only unfortified manor house from the Tudor period, and for the quality of plasterworks within. On the river side you see a classic 14th century castle with two towers, east and west, but then it is knitted together on the upland side with a majestic Tudor mansion. (See a tour video here.)

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Map of Carrick on Suir shows bend in the river, and castle on far right (black outline)

Carrick means bend or knot, and may have originally referred to the location along a bend in the river, but there is also a famous “carrick knot,” a rope knot having open-ended loops, symbolizing the nautical knot used by boatmen who worked along the river.

The most charming feature of this castle is the mullioned Tudor windows with their many small panes known as “quarries.” There are so many of these beautiful windows, and at one point I could see light all the way through to the opposite side of the house. It’s a rare thing to see a castle that so embraces the daylight. (For more about the history of windows in Ireland, see this wonderful site.)

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Closeup of mullioned windows, from Lambstongue.ie

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James Butler, 12th Earl of Ormonde and first Duke of Ormonde

Built by Thomas Butler, the 10th Earl of Ormonde (and Queen Elizabeth’s cousin), in the 1560s, the manor house became the preferred residence of James Butler, 12th Earl of Ormonde, later the first Duke of Ormonde, during the 17th century. This is truly saying something, for the Butlers were the second-largest landholders in Ireland and their properties included more than 30 manors and houses. Among their holdings was the famous Kilkenny castle, the seat of power for the Butler family.

The story goes that, shortly before Thomas died, four-year-old James was playing behind the earl’s chair. The old man held the child between his knees and prophesied, “My family shall be much oppressed and brought very low; but by this boy it shall be restored again, and in his time be in greater splendor than ever it has been.” Later events proved the earl’s prophesy to be true, for when James ascended to the earldom he became known as a valiant and honest man, was highly respected by all sides and, among other things he  founded the woolen industry. James led the Irish confederates against Oliver Cromwell’s Parliamentary forces in the mid-17th century, and subsequently lost much of the family’s property and wealth, but it was restored during the restoration of King Charles II, and James was created Duke of Ormonde for his loyalty and service to the crown.

Ormond Castle interiors were known for their magnificent plasterwork, and for grand tapestries adorning the walls of the great hall. In my book, The Prince of Glencurragh, a scene takes place in Ormonde Castle, where the Earl, James Butler, receives young messenger Aengus O’Daly who is awestruck by the beauty of the hall and these tapestries, and humbled by the many representations of royalty and power. (I saved a couple of interior images to my Pinterest page on Ireland, but can’t post them here. Follow me there for these and other images.)

Thanks to C.L. Adams’s Castles of Ireland, CarrickonSuir.info, lambstongue.ie, Heritage Ireland, and Wikipedia.

jack6.140x9.210.inddAn heiress, a castle, a fortune: what could go wrong?

The Prince of Glencurragh is available in ebook, soft cover and hard cover from online booksellers.

https://books2read.com/u/4N1Rj6

http://www.amazon.com/Prince-Glencurragh-Novel-Ireland-ebook/dp/B01GQPYQDY/

See all of my books and other information at
nancyblanton.com

Sex Appeal and the Earl of Ormonde

Today’s post is reblogged from a guest post on Mary Anne Yarde’s blog, “Myths, Legends, Books and Coffee Pots,” (maryanneyarde.blogspot.com). In honor of the official publication of my new novel, The Prince of Glencurragh, this story is about one of my inspirations.

While researching 17th century Ireland for my historical novel, The Prince of Glencurragh, I was stopped in my tracks by an arresting portrait of James Butler, the 12th Earl of Ormonde and the 1st Duke of Ormonde.

Ascending to earldom in 1634 at just 24 years of age, this earl became the Royalist leader of the Irish confederate forces in 1649, uniting the old English nobility, Catholics, and Irish rebel soldiers in a passionate stand against English dominance that was doomed to failure under the boot of Oliver Cromwell and his army.

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1st Duke of Ormonde by Sir Peter Lely (circa 1665) Public domain, Wikimedia Commons.

The portrait captures an older Ormonde, looking magnificent in ceremonial robes as he is created the first Duke of Ormonde. He wears white satin trimmed in red and blue. Delicate hands grasp lance and sword; his jaw is proud, his eyes soulful and knowing. The long golden locks affirm his noble stature and remind me of a young, proud-faced Roger Daltrey, out to change the world in his own particular way – perhaps with similar sexual energy but without Daltrey’s penchant for fisticuffs.

No less appealing would have been James’s enormous wealth and power. He was born into a family tracing back to the Norman Invasion in the 12th century. His ancestor, Theobold Walter, was named Chief Butler of Ireland, and thus the name stuck as a surname and reminder to everyone of the family’s prominence and favor under King Henry II. The family seat became the great Kilkenny Castle from which they controlled the vast kingdom of Ormonde (basically including counties Waterford, Tipperary and Limerick).

Ormonde landholdings in southwest Ireland were second only to the Desmond earldom by the 14th century. Rivalry and skirmishes between the two earldoms escalated into a private war in the 1560s, one that infuriated Queen Elizabeth I, and in part led to the first Desmond Rebellion in 1569.

When James’s father Thomas died in a shipwreck in 1619, James became the nine-year-old heir to his grandfather Walter Butler, the 11th Earl of Ormonde, and was given the courtesy title of Viscount Thurles. Walter was a devout Catholic, much to the dismay of King James I who schemed for Protestant control of Ormonde estates, imprisoned Walter for eight years, and sent James to be schooled as a Protestant by the Archbishop of Canterbury.

When the earl was released in 1625, most of his estates were restored to him. James went to live with him at his house in Drury Lane, London.

While in London, James learned the Irish language, which was to serve him well later in life; and also met his cousin Elizabeth Butler, daughter of Sir Richard Preston, Earl of Desmond. Their marriage in 1629 ended the long-standing feud between the two families.

When his grandfather died five years later, James became the earl. In 1642, he was named the Marquess of Ormonde; and, after living with the king in exile during the Commonwealth years, in 1661 Charles II created him the first Duke of Ormonde.

But wait, there is even more to Ormonde’s appeal. Most of my research has focused on James’s early life, and my favorite story thus far is about his first attendance of the Irish Parliament in 1635. The new Lord Deputy of Ireland, Thomas Wentworth, called the Parliament under King Charles I’s authorization, and was proud to have Ormonde on the roster.

In his biography of Wentworth, C.V. Wedgwood describes James Butler as a “high-hearted” nobleman: “Handsome, intelligent and valiant, he was also to the very core of his being a man of honor: loyal, chivalrous and just.”

And let’s not leave out dauntless (aka cheeky). When Wentworth ordered that the wearing of swords in Parliament would not be permitted, Ormonde told the official who tried to take his that the only way he’d get the sword was if it was “in his guts.” Wentworth summoned Ormonde before his council to answer for this behavior, and Ormonde arrived with his earl’s patent from the king. He threw it on the table. The king had made him earl, he said, and for anyone less than the king he would not ungird his sword.

“Wentworth [who was not yet an earl] conceded the force of the argument,” Wedgwood wrote.

Appealing as he was, Ormonde was not always everyone’s hero in life. As the Protestant in the family, he avoided the land confiscations that Catholic family members still suffered, and he was not above evicting Irish tenants if he believed he could earn higher rents from English ones. Still, when Ormonde died in 1688, he was lauded by poets of his time and was buried in Westminster Abbey.

In my novel, Ormonde is featured as a contemporary of the main characters who brings his significant power and influence, his chivalrous mindset, and his own agenda to the story, along with a fierce belief in fairness, justice, and love.

jack6.140x9.210.inddThe Prince of Glencurragh, published in July 2016, is the story of an Irish warrior who abducts a young heiress to help restore his stolen heritage and build the Castle Glencurragh. He is caught in the crossfire between the most powerful nobles in Ireland, each with his own agenda. It is the stand-alone prequel to my first historical novel, Sharavogue, which begins with the arrival of Cromwell in Ireland, and follows the protagonist to her indenture on an Irish sugar plantation on the island of Montserrat, West Indies.

My books are available on amazon.com and barnesandnoble.com. You can find more information and links on my website, nancyblanton.com